The Wood Beyond the World is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. It was first published in hardcover by Morris's Kelmscott Press, in 1894. The book's importance in the history of fantasy literature was recognized by its republication by Ballantine Books as the third volume of the celebrated Ballantine Adult Fantasy series in July, 1969. The Ballantine edition includes an introduction by Lin Carter.PlotWhen the wife of Golden Walter betrays him for another man, he leaves home on a trading voyage to avoid the necessity of a feud with her family. However, his efforts are fruitless, as word comes to him en route that his wife's clan has killed his father. As a storm then carries him to a faraway country, the effect of this news is merely to sunder his last ties to his homeland. Walter comes to the castle of an enchantress, from which he rescues a captive maiden in a harrowing adventure (or rather, she rescues him). They flee through a region inhabited by mini-giants, and eventually reach the city of Stark-wall, whose custom, when the throne is vacant, is to take the next foreigner to arrive as ruler. The late king having died, Walter and his new love are hailed as the new monarchs. The two are married and presumably live happily ever after......William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain.Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co.Although retaining a main home in London, from 1871 Morris rented the rural retreat of Kelmscott Manor, Oxfordshire. Greatly influenced by visits to Iceland, with Eirikr Magnusson he produced a series of English-language translations of Icelandic Sagas. He also achieved success with the publication of his epic poems and novels, namely The Earthly Paradise (1868-1870), A Dream of John Ball (1888), the utopian News from Nowhere (1890), and the fantasy romance The Well at the World's End (1896). In 1877 he founded the Society for the Protection of Ancient Buildings to campaign against the damage caused by architectural restoration. Embracing Marxism and influenced by anarchism, in the 1880s Morris became a committed revolutionary socialist activist; after an involvement in the Social Democratic Federation (SDF), he founded the Socialist League in 1884, but broke with that organization in 1890. In 1891 he founded the Kelmscott Press to publish limited-edition, illuminated-style print books, a cause to which he devoted his final years......
Little grabs people's imaginations more than fire-breathing dragons, magical elves, and other fantastic creatures. Now with this ebook, fantasy fans can learn to draw their favorite creatures and learn more about them at the same time. Simple, step-by-step instructions team up with lively creature descriptions to teach young artists how to draw dragons, orcs, dwarves, and many other fantastical creatures. AGES: 9-12 AUTHOR: A.J. Sautter is an author and editor of dozens of high interest books for young readers. He enjoys learning and working on a wide range of subjects from pirates and robots to dragons, sports, and magic tricks. Tom McGrath, as a small child could often be found with crayons stuck up his nose. But when he grew older, he eventually realised that crayons were a lot more fun and useful for drawing-and soon a passion for art was born. Tom's work is often inspired by other great artwork, books, films, and even on occasion by real life. Other than his artwork, Tom also has an obsession with fish and airships. Jason Juta is a freelance illustrator based in the United Kingdom. He has worked extensively producing artwork for the publishing industry, boardgames, roleplaying games, magazines and computer games. Martin Bustamante is an illustrator and painter from Argentina. At the age of 3 he was able to draw a horse "starting by the tail" as his mother always says. As a teenager he was inspired by fascinating worlds full of colors, shapes, and atmospheres found in movies and books such as Star Wars and Prince Valiant. Drawing and painting quickly became Martin's passions and he began working as a professional illustrator. Martin's work has appeared in several publications from Argentina, the United States, and Europe.